RED PEYOTE

RED PEYOTE

viernes, 26 de febrero de 2010

Final: Simple 1978


Banda de Jazz-Rock formada allá por el 76. En el 78' graban este simple, y antes de grabar su LP debút , deciden disolverse.

Formación:

Willy Iturri - Batería

Pablo Guyot - Guitarra

Roberto Gessaghi - Guitarra

Carlos Corallo - Bajo

Guillermo Medín - Teclados

Alejandro Maguno - Voz


1 comentario:

  1. In early 1978, Roberto Gessaghi and Alejandro Magurno
    realized that transforming their Folk/Urban songs into
    a Progressive Rock genre meant calling in experienced
    musicians. For this purpose and advised by a common
    friend, composer Daniel Montes, they were introduced
    to:

    drummer Willy Iturri, who brought with him extensive
    rhythmic resources practiced with Cèsar Pueyrredon in
    ‘Banana’, a Pop/Rock group; and

    keyboardist Guillermo Medin, who besides incorporating
    the orchestral/arranging craftsmanship implemented for
    Gabriel Ogando in ‘Quistral’, a Folk/Rock trio, he
    brought in the Latin feeling once exhibited with Tito
    Losavio in ‘Burbujas’, a Tropical/Dance group.

    The formation was completed with Pablo Guyot in lead
    guitar and Quique Conte (spelling needs confirmation)
    in bass. Later on, due to Quique’s style discrepancy
    with band leaders, he left the group and was replaced
    by Carlos Corallo. All tunes were crafted in the basement
    of Quique’s aunt house in La Lucila, North Buenos Aires.

    ‘Final’ was signed to EMI-Odeon in October 1978 and the
    contract stipulated the release of an album shortly
    afterwards the ‘Para ser / Dia de ciudad’ single, but
    this was never accomplished due to economical reasons:
    adverse economic measures taken by the Dictatorship’s
    minister, which abruptly reduced consumption, mingled
    with the uncertainty of a possible war with neighbor
    Pinochet regime in Chile (‘Operaciòn Soberania’),
    persuaded the Recording Label to halt the production of
    new groups and reconsider instead substitute releases
    of pre-existant signed artists such as Raùl Porchetto.

    Consequently, ‘Final’ band contract was ignored by
    EMI-Odeon and by the end of 1979 the group members
    moved on to pursue fulfillment of projects on their own.

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